Saturday, April 6, 2019

Progress with a Side of Failure

Pitmad was a failure. I'll just start off there. It's also probably my last attempt to follow through with that event. I've found that it's heavily skewed towards YA, which shouldn't be that much of a surprise since the event takes place on Twitter. I personally wasn't expecting much, but what bothered me was that I saw people with really good pitches gain almost no traction because their stuff was adult. It's also a breeding ground for "publishing" companies that don't do much better than if you just put it out there yourself. If their only releases are anthologies with a book cover that is just a stock photo overlaid with some text, they aren't a real publishing firm. I know this sounds like a rant (because it kind of is), but the whole thing left me sour. If you couldn't tell.

In better news, I turned in the samples for the writing conference. I suppose I should get used to deadlines if I want to succeed in this writing thing. I won't know what the editors think until the conference in May, but I think I've put my best foot forward. I'm not likely to do another blog entry until after the event, so I should be able to at least give my first impressions of how things went next time you hear from me.

I should really keep notes on what happened during the month so I can reflect more easily. All of this is just off the top of my head and that's not a good way to maintain a blog. I know I'm screaming into the void, but that's no reason to be terrible at it.

After I turned in the sample, I resumed editing my first book. It's mostly just small changes, but it has to be done. I'm also re-working a short story for a contest. The contest isn't science fiction-centric, but I'll try anyway. If anything, if I get rejected, I can always try the Writers of the Future contest. Speaking of which, they still haven't announced the winners for the first quarter. There's a whole heap of drama around that, but I won't get into it. I just hate refreshing my email for rejection letters.

And then there's poetry. I entered a random piece of work in a contest of its own. Didn't win. Not that I'm surprised. My poetry is trash. It's slowly getting to the point of readability, but it's not there yet. A good friend of mine introduced me to a poetry/spoken word weekly event, but there is no way I'm reading my garbage in there. I might try to do some spoken word stuff. I have a few pieces I could dust off. But it'll have to wait until after the conference. Everything is waiting until after the conference.

I know I said last month that I needed to get started on my newer projects. No real progress was made on that front. I just don't have the time while things that could actually be published within a year take precedent. My goal for Thermal Kings is to have the narrative, setting, and outline fully planned out by the end of October. I should probably work on that first thing after the conference. After I get the short story turned in, I need to work on my actual pitch for the agents/editors. Talking to people has never been my strong suit, which might explain why I write.

End of line.

Wednesday, April 3, 2019

Review: Blacksad

Blacksad Blacksad by Juan Díaz Canales
My rating: 3 of 5 stars

I was going to try to open this review with a cat pun of some sorts, but I couldn't come up with anything. I just didn't leave this book with enough emotional investment to try as hard as I possibly could. This book is serviceable, even likable in some parts, but doesn't really convince me that it's worth more than a single pass. Bottom line, it's okay.

I wasn't completely sold on the idea on a noir cat story walking into this, and that's on me, but the book doesn't do a super great job selling it once you're in. The writing is just a little too standard for my tastes. It isn't bad but doesn't do well enough to fully engage me. There are sparks, but no ignition. For example, the opening to issue three is clever as all hell, but it isn't that good throughout the entire book. Plus, the narration can be nonsensical at times, which might be on par for the noir genre but is still annoying.

Probably my biggest problem with the writing was the lack of world building. It just borrows too many ideas from real-world events to create its world and characters. It mostly takes generic concepts about racism and dames to blend together with anthropomorphic characters. The thing is, if so much of this book is taken from the real world, why even bother with animal-like characters? With a little more creative world building and slightly tighter writing, I probably would have enjoyed this book a lot more.

Art-wise, I will say is fan-fucking-tasic. It's perfect for what intended purpose of the comic and is just great art in general. Some of the direction and paneling is uncreative, but that criticism is coming from a guy whose favorite method is nine perfectly same rectangles. If I graded this book purely on the art, I would have given it five stars.

If I was to sum up this book in one phrase, it would be: It's almost good. Which sucks. Because, despite popular belief, I want all books to be good. Instead, what I got was only okay. It's coke zero when I wanted a coke. I can see people loving this book, and that's okay. Blacksad isn't trash, but I wouldn't read it again on purpose.

View all my reviews